#TONY MASERATI PLUGINS WORTH IT SOFTWARE#

In Thick Rhythm mode this is greyed out, while the FX section grows a second Presence control. If you can get the lamp showing amber but not red during louder sections you're pretty much set to go, though you can occasionally get desirable effects by running the plug‑in slightly hot or slightly cold.Īll modes have Presence controls and all except Thick Rhythm have compression adjustment in the form of the Tame knob. This is accompanied by a three‑colour signal light to help you optimise the input level (necessary for any dynamic effects to work correctly), a round retro meter that can monitor either the input or output level, and an output level control. As with the other plug‑ins in the collection, some of the controls change as you switch modes, but the Sensitivity control is ever‑present. GTi offers five modes, named Clean, Clean Chorus, Heavy, Thick Rhythm and Soft Flange.

The main thing to understand about this plug‑in is that it doesn't do guitar amp modelling or overdrive - it's there to allow you to polish the sound once you've recorded it, and this it does very well. The source guitar sounds can range from clean to overdriven, and the plug‑in can also be used to add colour and movement to electric pianos. GTi Guitar Tonerįirst up is the GTi Guitar Toner, which is a dedicated tool for polishing electric guitar sounds. Mono‑in, stereo‑out and stereo‑in, stereo‑out versions of each plug‑in are available. The load and save format is the same as with other Waves plug‑ins, as is the ability to create and compare A and B versions, but there are no factory presets as such. Running in native mode on both Macs and PCs, the Maserati Collection supports the native VST, AU, RTAS and Audio Suite plug‑in formats - there are no TDM versions. While stripping the controls down to a bare minimum may rob the more advanced user of some flexibility, the idea is that the sense of instant gratification you get as soon as you switch them into the signal path should more than make up for this. There's no clue as to what original hardware components are emulated in any of the plug‑ins or processing modes, but then that doesn't really matter: this suite of plug‑ins should be judged on its results. The result is that with just a handful of knobs and buttons, you can arrive at a highly produced guitar, bass, voice or drum sound very quickly. Tony Maserati has his own favourite signal‑processing chains for specific applications, and what Waves have done is recreate those chains in software, bringing out only those controls that Tony would normally adjust during a session and leaving the rest hidden. Maserati has worked with artists as diverse as Black Eyed Peas, Beyonce, Alicia Keys, Macy Gray, Sting and David Bowie, and in March 2007's Inside Track feature ( /sos/mar07/articles/maserati.htm), he talked to SOS about his work on John Legend's 'Save Room'. Waves have clearly taken steps in that direction with the Maserati suite of plug‑ins, developed in conjunction with award‑winning mixer Tony Maserati.

#TONY MASERATI PLUGINS WORTH IT SOFTWARE#

I have, on occasion, suggested that music technology software might be made easier to use if it was approached from the musician's point of view rather than the engineer's. Most of us can't afford to have Tony Maserati mix our tracks - but thanks to Waves, we can now use his personal effects and processing chains in our own mixes.

Tony maserati plugins worth it